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Wednesday, August 20th, 2008 +

Joleen Button
+ UAG Board Member
+ Member Since: March 23rd, 2007
+ Page Last Updated: June 4th, 2008
+ Personal Site: www.joleenbutton.com
+ Similar Artists: Robyn Diaz, George Dowse, Janet Dwyer Stutzman, Amelia Fallon, Mary Feeley, Carole Fults, Adam Furgang, Susan Handy, Scott Hotaling, Barbara Klemz, Michiko Kubotera, Elizabeth Maloney, Milton McPherson, Henry C. Meier, AWS, Sarah Petrucci, Ann Roberts, Rebecca Schoonmaker, Mike Sperduto, Nina Stanley, Michael Weidrich, Sharon West, Colin Wilkinson
Artist Bio +

Joleen Button As an artist I possess a certain curiosity, one that communicates intuitively through art. My oil paintings are a reflection of my curiosities as well as my experiences studying art in Western Europe. In this brief amount of time I digested the culture and history from my travels within and beyond my point of study in Paris, France.

It is intriguing to me the voice of a painting, drawing prior knowledge and perspective to govern one's experience. I am especially fascinated by the still life paintings of the 17th century. Paintings that speak about vanity and death and yet it seems these age old paintings I admire have evaded the very ideas they represent, for they have outlasted their creator and all previous possessors. It is interesting how some works of art are blessed with such an awesome power of immortality.

My paintings are reminiscent of this time in lighting and subject matter. Items that could suggest something more than what is simply visible. Images with meanings of vanity, greed, and the ever so fragile existence of human life. My paintings possess a style that can be identified, one that I feel is raw through texture and visually beautiful with exotic animals and luscious fruits of this world. In my art I juxtapose the beautiful with the repulsive and sophistication with barbarism. Though, just as the embodiment of the word art, it is in the eye of the beholder. One may be humored by the charm of a monkey seated like a human, enjoying a sweet peach, while another may interpret this as a savage act mocking humanity. A beast seated upon sophistication, illustrated by the velvet chair, greedily devouring knowledge, which is represented by the peach and green apple.


Online Member Gallery +

Fruit of Choice, he still doesn't get the joke prince of Persia les invites de diner
Pride of the Peacock The Scavenger's Treat What Lies Within
Bitter Sweetnes Finch with Orange A Life left for the Scavenger


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