Sarah MacWright
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Artist Bio + |
How can I encourage my viewer to not only enter the photographic space and explore, but also to think critically about this spatial experience?
I was standing in a friend's living room in Paris when I took the first photograph with these challenges in mind. This photograph depicts a figure's legs entering the space of a living room from a dark, wood pantry, carved into the orange wall. Upon exiting the pantry, the figure's feet seem like distant cousins to the legs of nearby chairs. The photographic work responds to the pushing and pulling of the figure's entrance, of the opening of the cabinet doors, of the quiet, deep space between the legs of the chairs. The overlap between photographs marks a space for a wall to come into being or a space for a chair to disappear. In a positive sense, the figure, who invites the viewer to participate, could be sheltered or, quite negatively, could be consumed by these spaces.
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